One of the discs Jaime that except for "Colombina" and " The man in the street " , rarely went on the radio. An album that I like. Without doubt the most complicated of all we did together, the graph took six months.
Singer: Jaime Roos
Album: are surrounded
Year: 1990
Covers : COVER, INSIDE FRONT AND BACK CD original
Label: ORPHEUS
No: 8 59 444 2
Format: Compact Disc (CD)
Bitrate: CBR 256 kbps to 48 KHz
DETAILS OF TOPICS:
01 .- The Man Street
Words and music: Jaime Roos
02 .- You say you're going
Words and music: Jaime Roos
03 .- Do not let
Words and music: Jaime Roos
04 .- I can not mourn
Words and music: Jaime Roos
05 .- Colombina
Words and music: Jaime Roos
06 .- Inexplicable
Words and music: Jaime Roos
07 .- Laraira
Words and music: Jaime Roos
08 .- Same as yesterday
Words and music: Jaime Roos
09 .- Huayno the blind.
Lyrics: Jaime Roos
Music: Reason popular Peruvian
All songs with lyrics, music Jaime Roos arrangements .
's music "Huayno of blind is based on a popular motif heard by Peruvian Jaime Roos in Cuzco 1976.
The musicians developed parts of the arrangements and created their own.
Keys: Hugo Fattoruso .
Battery: Gustavo Etchenique.
Percussion: Walter "Nego" Haedo (except in "the blind Huayno " , by Jaime Roos ).
Low: Jaime Roos (electric bass) and Hugo Fattoruso (keys).
Voice and Guitar: Jaime Roos .
Voice "Inexplicable" : Adele .
Choir "Laraira" : Estela Magnone and Mayra Hugo .
Choir "Colombina" : Pablo Routin, Benjamin Medina, Rolando Fleisher, H. Fattoruso, Popo Romano, Diego Ebbeler, Wilson and Daniel Magnone Negreyra.
murga battery in "Colombina" : Ronald Arismendi, Freddy Bessio and Edu Lombardo.
Recorded by Luis Restuccia Elvysur study, Montevideo, Uruguay, 1990.
Additional recordings: Daniel Baez study La Batuta, Montevideo.
street Additional recordings: Luis Jure and Guilherme de Alencar Pinto .
Mixed by Esteban MartÃnez Prieto, L. Restuccia and J. Roos study Loubet, Buenos Aires, Argentina, 1991.
cover Conception: J. Roos.
Photo: Mario Marotta .
Design: Daniel Carbajal Solsona.
A artistic production Jaime Roos for Seal Orfeo.
TO U.S.
The comment from the beginning, regarding this was "hard disk" , derives from the lengthy process that led (which was crazy).
For example, the first complication arose that we liked one of the first sketches to the original photograph itself, which won the grand Marotta. To work on the images that brought Mario and not compromising the originals, I photocopied the pictures and worked on them (bookmarks fiber or China ink, shoe cutter and glue Vacca House).
Having decided at what would become the original sketch, we focus on the photo of the sketch, which we liked more than the original photograph. I started campaigning for get a new copy of the photo and to make the original was about a month making photocopies around Montevideo and there was no case, we obtained a photocopy of the sketch.
Once you got decided to undertake a similar work with that ... but was not equal lacked "something" , then someone threw on the table the name of a woman who dedicated to retouch photographs (do not remember of what was the name) and went beyond the photocopy, to be retouched photographically. It follows that we send to print original for the cover of "We're surrounded" was a photocopy of a photo retoucher of Marotta.
The first thing you sent were the original printer to print the cassette (which in those days sold like hotcakes) ; deliver the originals and were waiting with Guilherme de Alencar Pinto (then secretary of Jaime ) , calling us to review proofs. And they called us ... when not only were printed and 5,000 caps but had been printed with the cover picture upside down, inverted horizontally. I remember Jaime kept some as "rarities" do not know if you have them.
Later, at the time of print LP cover, returned to arrange an appointment (again, of so many) to Guilherme and my for color proofs. The way we had to indicate color in those days, was making use of the limited samples of Pantone a primitive or a catalog printing ink, of which a square is cut out of the chosen color and stuck in some corner of the original or mask (generally sulfite paper) is usually put on the original itself, with a twofold purpose: protection against scratches and color display (part of the original will be modeled with the appropriate color) .
When we all (everyone, including managers, because I had a fever) , they set up the desktop a few pieces of printed material that we original control and had provided them, wearing the most appropriate package and its mask muestritas color.
The cap had three colors (only three, it was not Sgt Pepper's) , we showed the evidence and the first observation we made was " these colors are not ... that is mustard yellow, black is not is cyan and the red is not " , " nooo ... " was the answer "this is wrong ... it will be yellow mustard, black and lacks the red ink will be s dim ..." . To this day I do not know what called us . In an aside to the floor manager of the printing press, reasoning he would say, turned to me and surmised: "Then you put these muestritas of color to imprimiéramos in those colors?" . It took about a month and a half before it was the album on the shelves.
would several more to tell and do not want this to go longer, but finally, note the differences of color, especially blacks, which have the different pieces.
yet I find out why it was that the CD was released without the background ... marble in one of those was a lot of work ...
Source: http://carbajal.com.uy
As always we are here today to let them firm and the phonogram which is the last to publish the discography Jaime Roos we have.
AmigaOS For all we asked for the records of the great Jaime Roos , we can say we have done, ta ???...
As said in previous comment extensive Daniel is true that one of the jobs Jaime less widely see ... pity not ???... Because it is also another great phonogram ...
invoice excellent songs, besides the well known "The man in the street" and "Columbine" , there are other very good as "Inexplicable" with the voice of the great Adele the "Huayno of blind and "Laraira" latter SEN-SA-CIO-NAL really !!!...
Nor will lag behind the other, look ...
So we tell them is another great album IMPERDIBLE of Jaime that Today we offer ...
So ... Ladies and gentlemen, go ahead please stop just ...
See if you do not, because the guests with a staple with lemon pa 'mitigate this terrible cold spell and see and share together the phonogram, as we always say, yes Sir, how not ...!!!
We left a cordial greeting to all. Remember this:
COMMENT IS THANKS!
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